BA (Hons) Fashion Design Technology: Womenswear
My final year project inspired by Marlene Dietrich and Navy "Waves" at 40s.
↧
Mei Mei Tsang
↧
Fulya Aslan
BA (Hons) Fashion Design Technology: Womenswear
Fulya Aslan has two certificates from the following courses: -Fashion Portfolio (Access to Higher Education) at LCF -Foundation Degree in Art and Design (Cert HE) at LCF She is now at her third year BA (Hons) Fashion Design Technology:Womenswear
↧
↧
Chenlin Jiang
BA (Hons) Fashion Design Technology: Surface Textiles
"The straight line belongs to man, the curve to God" --Antoni Gaudi i Cornet This collection is the spring/summer 2013 womenswear collection based on architecture influenced by nature. This theme of this collection is about architecture that has been influenced by nature, especially natural colours, shapes, materials and textures. Currently, pollution in modern cities is becoming an increasingly serious problem. People have started to yearn for nature and are choosing to live in the countryside. Many architectural designers have been inspired or influenced by nature and have designed buildings that look like natural things to help people feel closer to nature. Additionally, this collection is based on such buildings that have been influenced by natural colours, shapes, materials and textures. The final outcomes are use knit and denim, make knit looks like denim and denim looks like knit. Email:lynnjiang021021@hotmail.com
↧
Feifei Guo
MA Fashion Design Technology Womenswear
Every one is guilty
↧
Emily Dillon
BA (Hons) Cordwainers Fashion Bags and Accessories: Product Design and Innovation
The concept for the collection comes from the camouflage and deceptive techniques of nature to protect itself, using print to distort shape and what the eye is drawn to, to confuse and disguise. There is also a playful element with the shapes of pockets, which are camouflaged with the print, giving an edge to further deceive and confuse. There are three different clashing classic prints used with various versatile themes of bags and accessories, including beach, work and evening, with interesting 3D pocket shapes to match, each with a sense of character and humour. My aim was to create a unique unisex collection to really push the boundaries in terms of playing with shape and form, creating an element of suprise and fun whilst still being functionable and easy to wear, letting the consumer show personality with the pieces. My approach to accessories is to create something playful with personality, with unique and modern approaches to material pushing shape and form with a fun twist and perspective, creating a suprise. http://www.stylebubble.co.uk/style_bubble/2012/07/shoes-n-things.html http://futuremap.arts.ac.uk/about/
↧
↧
Nanna Bergqvist Karlsson
FdA Fashion Design Technology (Designer Pattern Cutter)
I am a very technical worker and all of my work is more advanced in the pattern cutting and the construction of the garment than the design itself.
↧
Dina Bhujel
BA (Hons) Bespoke Tailoring
Satellite View Volcanoes
↧
Simran Dhiman
FdA Cordwainers Accessory Design
London Based Accessories designer
↧
Nicole Shears
FdA Fashion Design Technology (Designer Pattern Cutter)
designer pattern cutter
↧
↧
Isabelle Sitarski
PG Cert Creative Pattern Design
I originally started my Fashion degree in Belgium, called Fashion Design & Pattern Cutting over a period of 2 years. During this time, I learned designing clothes as much as making them (pattern cutting, sewing techniques, pattern grading, CAD) and quickly developed pattern cutting as my strength. Afterwards, I decided to challenge myself and came in London to learn English whilst finishing my degree. For the following two years, I completed my Fashion Design degree in UEL, where I have been taught to think on a more creative and conceptual aspect of fashion, still further developing my technical skills. As a result, with my theoretical background of pattern cutter, I developed my own aesthetic, which shows complex and intricate cuts. I feel that pattern cutting is an important part of the design process as much as putting pencil to paper. Simplicity and practicality are not my goals. I want to push boundaries and experiment through the sculptural nature of the cloth and my postgraduate course at LCF was the perfect opportunity for me to accomplish that. Furthermore, apart from my pattern cutting skills and creative background, I am always looking for improvement, learning by any means possible the trade and more specifically, what makes me thrive.
↧
Dina van Eupen
BA (Hons) Active Sportswear
A passionate lover of sports, art and any visual communication who tries to capture what most people oversee in the busy context of our everyday life, communicating in a language understood by most.
↧
Su Jin Kim
BA (Hons) Fashion Design Technology: Womenswear
This collection is abut the Letters. Creative director - Morteza varzegani Makeup artist - Minkung kim, Model - sophie Hiscock Photographer - Elzbeta piekacz Designer - SuJin Kim sksms3377@hotmail.com
↧
Kimberley Smith
BA (Hons) Illustration
Kim Smith. @kimsmithhappy SHOP: http://www.artequalshappy.co.uk BLOG: http://www.artequalshappy.typepad.com Art Equals Happy, founded by Kim Smith, is a small shop that celebrates traditional methods while embracing the happy mistakes that make life interesting. She believes that crafts can be healing, and that the world needs taking care of. Selling Handspun Wool, Illustrations, and Arts & Crafts, Art Equals Happy's ethos in a nutshell: 'Natural, recycled and homemade reminders of the good things.' As well as an online store, Art Equals Happy has worked with We Make London, Fair Christmas Fayre and Renegade Craft Fair. You may have seen our stall in Camden Lock Market, Spitalfields, The Horniman and at Renegade. For the rest of 2013, our aim is to grow readership, expand product ranges and exhibit at The Knitting & Stitching Show. You will be able to view our 'shop' and meet Kim Smith at the Internal Camberwell Summer Show & our External Show- WELL SAID. in May/June 2013. Updates on the Blog and Shop as well as links to her youtube, twitter and instagram can be found at the site mentioned.
↧
↧
Elisabeth Freiin von Stackelberg
BA (Hons) Fashion Design Technology: Womenswear
Education London College of Fashion: BA (Hons) Fashion Design & Technology (Womenswear) University for the Creative Arts: Foundation Diploma in Art & Design Work Experience MARY KATRANTZOU, 2/2012 - 4/2012: Assisting in sample room Assistant to pattern cutters Embroidery Technical experimentation Experimental samples Cutting final garments ESCADA, 10/2008 â 04/2009 Design Intern, Munich ⢠Designed accessories and swimwear pieces ⢠Created technical drawings and layouts using CADCAM ⢠Design, trend, and look research, creation of mood & inspiration boards ⢠Organized photo shoots and fittings, files and databases ⢠Helped organize showroom for buyers AMICA Magazine, 07/2007 - 08/2007 Styling Intern, Munich ⢠Organized styling department, ordered and shipped garments and accessories ⢠Product description for editorials ⢠Maintained database Fiona Bennett, milliner, 08/2006 â 09/2006 Studio Intern, Berlin ⢠Specialist hand-crafting of hats, headpieces and hair accessories ⢠Communicated with designer and helped realize ideas Contact: elisabethvonstackelberg@gmail.com
↧
Ayesha Tharangi Paraneyithane Wickramasinghe
MA Fashion Design and Technology
PRISM Art and science are human devices used to understand the workings of the universe, fed by creativity and imagination. Science and Art are also very different but when they work in combination, dazzling things can happen. The purpose of this research is to present a new insight to conceptualize a pattern draping process and the concept called âLight Reflection and Refraction by Foldingâ and initiated new insight to Sri Lankan handloom industry. The theory of âLight reflection and refractionâ used as two selvedges of the fabric strip, which highlighted light beams, fall on to a solid base and fabric folding over the body evokes the bounce off the light beams in different directions. Paper patterns not used in this project and the design development process was three-dimensional to two-dimensional. Ten outfits were developed that varied in draping, colors, folding, silhouette, width of the narrow loom fabric and the process of design development. The garments have been designed using two methods: draping over the pattern and draping over the mannequin. Each and every detail in the outfit â sleeves, collars, and pockets - were made by folding. Identified and explored innovative pattern draping and construction method by using hand loom stripes. This was followed by a number of new conceptual and technical predictions about garment finishing, construction, minimizing fabric wastage and silhouette development process.
↧
Judith Hempton
BA (Hons) Fashion Design and Development
Born in Ireland, Judith has aligned her LCF studies and industry placements with a marketing focus whilst pursuing an inherent passion for photography and styling. MATEUR is visual curation of Londonâs freshest fashion talent. A concept publication that offers a unique exploration of aesthetic, craftsmanship and culture. It focuses on artists whose work embodies a commitment to design and a desire for innovation, as well as placing emphasis on striking imagery and accomplished journalism. The publication poses a modern alternative to traditional âCut and Sewâ guides and provides readers with a considered collection of simple- functional- unisex patterns. Traditional craft methods are combined with new techniques in order to create fashion pieces that are at once classic and modern.
↧
Yun Jeong Yang
MA Fashion Design Technology Menswear
2006-2009 ; (BA) Fashion design and technology Womenswear 2012-2013 ; (MA) Fashion design and technology Menswear AIM The work in this project aims to understand that through the past, people would revitalize and reconstruct their life. In fantastic painful memories can be turned into pleasurable ones. It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess. â Sigmund Freud, âscreen Memoriesâ Fashion and textile is becoming a centre of the study of new materials and techniques. Science and fashion is in symbiotic relation; normally they combine to attain better function, with this purpose in mind, I would like to apply other fields such as science and biology into the fashion to invent new design. Such new experiment and project seemed more encouraged to boost up the market since the commercial shrinkage and was able to express myself more conceptually. Variation of my experience and knowledge will become important contributor to other labels and companies in the future. www.yunjeongyang.com
↧
↧
Sophie Jones
BA (Hons) Fashion Contour
I am a final year undergraduate at London College of Fashion studying BA Fashion Contour. I specialise in luxury couture design and production of lingerie. The brand I have built over my final year is called BD&S:Me, this consists of unique encapsulating designs including pleating and metal manipulation.
↧
Sophie (Limin) Han
MA Fashion Design Technology Menswear
www.liminhan.com BA FDT WOMENSWEAR final major project âWhy we cannot be ourselves like yesterday.â ----V&A âpostmodernismâ 2011. This quote in the exhibition inspired me to look into art works in late 1950s. Then, I was inspired by large-size of women in Jenny Savilleâs work. In recent years, the body has no longer only existed in traditional portraiture but become an active presence in live and participatory events. The round oversized shape, âfatsâ and skin-like textiles form the core of this collection. For most garments, I have developed some personalised fabrics by laminating, dying, painting, bonding. The glossy and colored fabrics are used as a visual language to invoke a sense of confidence and joy. This collection celebrates the confidence of different sizes of women in modern age. Ultimately, as a designer, I always believe that all of women can be fashionable and choose the dresses which they can present themselves whatever they want to be. Press Published on Fashion156.com http://www.fashion156.com/daily-blog/limin-sophie-han-ba-collection-aw12/ MA Menswear "Light and forms" Contact email address: hanlimin1207@hotmail.com
↧
Linh Tran Ngoc
BA (Hons) Bespoke Tailoring
Linni Ta (born in 1986) â fashion design graduate from Istituto Marangoni and pattern cutting / bespoke tailoring alumni from London College of Fashion. She has also attended the prestigious Central St. Martins, London. Linni Ta, with a long experience and an excellent academic background, is a designer from A to Z with a depth of knowledge from designing a collection through pattern cutting to hand craft / construction of garments just to name a few. Her style is extravagant yet characterized by incredible precision in every single detail; from choosing the silhouette or the right fabric to achieve a desired result. The main source of inspiration in Linni Taâs work are classic fairy tales and movies from the 30âs. She also finds the opera and ballet influencing her work since they have been an important part of the designerâs life ever since her childhood. In the summer of 2007 she was offered an internship at the Pauric Sweeneyâs Atelier in Florence, Italy where she stayed 4 months and the following year she did an apprenticeship in Barcelona, Spain at the Projecte Bressol, sponsored by the Catalan government. In the spring of 2011, after being granted a sponsorship from Dormueil, Linni Taâs design was chosen to be a part of Henry Poole 150 Years of Tuxedo exhibition. The outfitâs debut was at the Quintessentially Private Party in London and then showed in renowned Harrods and the Burlington Arcade, before it departed on an annual tour to far away countries such as Japan, Argentina and Brazil. The entire collection was later celebrated at the Tuxedo Park Annual Ball in New York. Linni Ta started to specialize in couture embroidery in the early 2011. This particular skill was soon to become the designerâs main trait. She continued to perfect it at the prestigious Atelier Lesage in Paris, that collaborates with all of the most important haute couture houses such as Chanel and Christian Dior. During the internshi, the legendary Monsieur Francois Lesage personally appreciated her talent. During the Diamond Jubilee celebration in June 2012, Linni Ta had the honour of meeting Her Majesty the Queen Elizabeth II at the specially created event in the Bromley Park, London to celebrate the young designers. At the moment Linni Ta is working on her first collection âSwans and Ravensâ inspired by a fairylike idea of good and evil â two opposing coexisting worlds. Please note: all the garments are based in Poland, please keep it in mind while enquiring for garments. Enquiry at: trnglinh@gmail.com www.linnita.com www.facebook.com/LinniTaOfficial
↧