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Rachel Wrigley

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Untitled (Wardrobe) 2012. Paper. approx 210 x 240 cm.

BA (Hons) Fine Art: Sculpture

There’s something exciting in the moment when a cast leaves its mould. Two surfaces married together, are separate for the first time since the beginning of the process. Divorced, the original mould becomes waste and the cast an indexical trace. Rachel Wrigley works with casting processes as a means of documentation; her work attempts to invent a new form, positioning it between the photographic two dimensional image and the three dimensional realm by manipulating, deconstructing and distorting architecture and objects. She provides a distorted version of reality by investigating space as a moveable, impermanent fixture, questioning where the line lies between faithful representation and invented reality.


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